You might not see the results immediately, but new data being written from Fitbit will appear in Google Fit over time. Once you go through the process above, both apps will work through the Health Connect app to sync data. Choose what Fitbit can send to other apps and hit Allow.Toggle on Sync with Health Connect and hit Turn on at the next page.Open the Fitbit app and tap your profile photo.Tip: If you want Fitbit’s data stored on Google Fit, just allow Fitbit to write everything and Google Fit to read data, not write.Choose what Google Fit can read or write.Tap Sync Fit with Health Connect and then hit Set up.Head into the Google Fit app and tap the settings cog under the Profile tab.On your device, head to the Google Play Store and search for Health Connect.This all happens in the background and is updated regularly. For instance, you can allow Fitbit to send data over to Google Fit and vice versa if you wish. Health Connect is a newer app developed by Google with the sole purpose of syncing health statistics and data between multiple apps. Related: Do you need Fitbit Premium on the Pixel Watch? Here’s what you get for free How to sync Fitbit with Google Fit using Health Connect With that, Fitbit’s devices are all very good at keeping reliable stats stored of your sleep and heart condition, which lends itself to many Fitbit features like stress management and in-depth health metrics. You can also start paced walking where a beat guides your steps.įitbit on the other hand also has a plethora of features that allow you to stay on top of your mental and physical well-being. For instance, YouTube’s “Stay Fit With Me” category is a great place to find helpful guided videos for staying healthy. The Google Fit app has multiple features, just like Fitbit. Displaying those stats, on the other hand, is where the Google Fit app shines the most. Though Google Fit has been around for a long time, it feels as though the app has sort of hit a rough point when it comes to actual health tracking. This is the main reason the Pixel Watch is driven by Fitbit health tracking. This guide will take you through using an app called Health Connect to sync both Fitbit and Google Fit.įitbit is currently owned by Google. You will need to delete in both places.There are countless reasons you might want to sync your Fitbit data with Android’s Google Fit. Deleting a workout in Lose It! will not delete the workout from Google Fit.Passive workouts, like ones Google Fit detects, will add to your steps but will not show as workouts).If you delete a Google Fit workout in Lose It!, the activity will not sync again to your Lose It! log.Active workouts (it needs a start time and end time).What Data Syncs to Lose It! from Google Fit (Passive workouts, like ones Google Fit detects, will add to your steps but will not show as workouts). If you have trouble tracking workouts, first be sure you are actively tracking Fit workouts. To get a workout to sync, be sure to track the start and end time in Google Fit.WEIGHT: make sure weight is appearing in the Home section if no weights are appearing, there are no weight entries in Google Fit for Lose It! to read.WORKOUTS: Make sure workouts are appearing in the Home section if no workouts are appearing, there are no workouts in Google Fit for Lose It! to read.STEPS: Make sure steps are appearing in the 'Home' section if no steps are appearing, there are no steps in Google Fit for Lose It! to read.In the 'Google Fit data section, select 'Manage connected apps' and make sure Lose It! is listed.Select desired read/write options under 'Other Settings'.Select desired option under 'Auto-Log Exercises'.Find the Automatic Tracking section and select Google Fit.Navigate to the profile button (top right corner).**Our Google Fit integration is only available for Android at this time** Google Fit Data Not Syncing to Lose It!
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One of the most important things you should back up is your contacts.This will ensure all your data is ready to be unpacked when your new phone arrives. Others like WhatsApp rely on Google Drive, if enabled. Some apps may have their own specific cloud backup storage. After that’s done, move to Settings > System > Backup > Enable Backup to Google Drive. If you don’t have it already enabled, you can enable it by going to Settings > Accounts > Enable Automatically Sync Data. Better still, Google can also help you sync all your apps to your account. So long as you’re going to another Android device, you can download them again to your new phone at no charge. When it comes to apps, Google has a record of all the Android apps you’ve purchased.If you’re not certain about it, just log on to your email on another device to confirm the backups on the server. Most email setups keep copies of downloaded emails on the server. You can easily recreate it on your new device. You don’t have to worry much about backing up your email.Here’s how to backup your data on any Android device: Otherwise, you need to manually back them up. Ideally, if Backup to Google Drive is turned on, device settings, apps and app data, SMS, call history, and contacts are automatically backed up and synced with Google Drive. The importance of backing up everything on your phone before wiping it cannot be overemphasized. Remove your accounts, SIM and memory card.Here’s how to wipe your Android phone completely before selling: We’ll take you through each step in detail. Outlined below are five important steps you need to take to securely wipe your data and counter data remanence. In this article, we’ll show you how to securely wipe your personal data off your old Android device before selling or recycling it, to ensure it doesn’t have any remnant of personal data. So if you are considering disposing of your old Android device, make sure you wipe your personal data the right way. A file recovery program can scan the device for these deleted files and restore them. However, until the OS writes new data over the sectors containing the contents of the file, the files are still recoverable. When you delete a file, the OS removes the pointer to that file (akin to erasing page numbers from the table of content of a textbook) and marks the sectors containing the file’s data as available.įrom the file system’s point of view, the file is no longer present on your storage device, and the sectors containing its data are considered free space. It’s a lot like the index page in textbooks. Each file on your device memory or storage has a pointer that tells the OS where the file’s data begins and ends. The operating system (Android, Windows, etc) uses a concept called indexing to keep track of where files are stored in a device. Permanent data erasure goes beyond basic file deletion commands, which only remove direct pointers to the data disk sectors, and make data recovery possible with common software tools. According to a recent study by the University of Hertfordshire in conjunction with Comparitech, it was found that it’s still possible to recover photos, emails, text and other documents from a reset Android device.Ĭontrary to popular belief, when you delete a file from your phone memory, SD card, or computer hard disk for that matter, the file isn’t actually removed. But the problem is, a factory reset doesn’t really delete everything. So, how do you properly wipe your data off your old Android device without running the risk of leaving remnant data? Is it enough to just delete the files or do a factory reset? Basic file deletion and factory reset are not enoughĪ lot of people perform a factory reset to wipe everything off their Android device, before disposing or reselling it. Leaving personal details on your old device may expose you to security and privacy risks. You don’t want to accidentally pass on your personal information to someone else. Whatever decision you take, it’s important that all your personal data is wiped clean before disposing of it. You may want to give it away, trade it in with your carrier, put it up for sale, or recycle it. But what do you do with your old device? There are a number of options available. So a new Android phone or tablet has just caught your attention, and you are looking to upgrade to the latest one as quickly as possible. It can be seen that, when the A205 foundry alloy is chosen as the reference, depending on the experimental conditions, the calculation leads to relative densities higher than 100%, which is inconsistent. Results on the change in the relative density of the samples as a function of the volume energy density ψ applied when they were produced are given for the two reference densities in Table 5. As with the first alloy studied, we calculated this relative density in two ways: (i) by selecting the density of the A205 foundry alloy as the reference density, and (ii) by taking the density of the AM205 powders as the reference. The relative density of the SLM samples was determined using the Archimedes method, according to the same protocol as for the AlSi7Mg0.6 alloy. The true density of the AM205 powder that we measured by pycnometry was 2.88, which represents a considerable deviation from the density of the foundry alloy that corresponds to the grade studied, i.e., that of the A205: 2.86 g.cm −3. The measured value is therefore not an intrinsic value of the material that makes up the powder and cannot therefore be selected as a reference. However, the value obtained (2.66) is characteristic of the powder, while the particles of this powder have very clear porosities, as demonstrated by micrographic observation ( Figure 8). In this last case, density ρ theoretical is the density of the powders, which is determined by helium pycnometry. We might then consider taking the powder material as the reference, as it has the same composition. In the case of the AlSi7Mg0.6 alloy, we can assume that the reference is the foundry alloy and hence that ρ theoretical = 2.68 however, we note that the composition of the foundry alloy and that of the powders are not perfectly identical ( Table 1). Yet this is an important question because the value of the theoretical density has a strong influence on relative density. In the literature, even in very recent studies, this choice is never discussed. This then raises the question of the choice of reference. The ratio of this extracted area to the total area of the image gives the porosity rate of the sample, from which the relative density of the sample can be determined. By adjusting the threshold level, it is possible to extract the area specific to the porosities, within the resolution limit of the device. The limit of separation is defined by the operator. Depending on the gray level defined above, each pixel is converted into either black or white. The next stage, thresholding, consists in transforming the digital image into a binary image. The information captured in each pixel is coded into a specific level of gray, with the user able to adjust the scaling. This digital image is made up of pixels containing specific information such as light intensity or color, which will then be converted into a grayscale. For each polished section observed, the “real” image is transformed into a digital image via a camera. This method takes a polished surface and determines the ratio of the surface area that corresponds to porosities to the total surface area observed. Analyzing micrographs is a destructive process used to characterize porosities both morphologically and quantitatively. One method used to determine the relative density of a sample was image analysis. This article shows that it is essential that a result of relative density obtained from Archimedes measurements be supplemented by an indication of the reference density used. It can be observed, for example, that, depending on the experimental conditions, the calculation can lead to relative densities higher than 100%, which is inconsistent. In addition, the results show that the Archimedes method has limitations, particularly related to the choice of reference materials for calculating relative density. The study concludes that an analysis of the metallographic images to calculate the relative density of the part depends on the areas chosen for the analysis. To investigate this, two different grades of aluminum alloy, AlSi7Mg0.6 and AM205, were used in this study. To achieve this aim, two experimental methods are used: the image analysis method, which provides local information on the distribution of porosity, and the Archimedes method, which provides access to global information. This article deals with the limitation of the relative density results to conclude on the quality of a part manufactured by additive manufacturing and focuses on the interpretation of the relative density result. Micrographic image analysis, tomography and the Archimedes method are commonly used to analyze the porosity of Selective Laser Melting (SLM)-produced parts and then to estimate the relative density. The next best thing is to work in small increments, putting only a small amount of Cap’n Crunch in your bowl at a time and eating it all up before it becomes a pit of loathsome slime, which, in the case of Cap’n Crunch, takes about thirty seconds. Randy has worked out a set of mental blueprints for a special cereal-eating spoon that will have a tube running down the handle and a little pump for the milk, so that you can spoon dry cereal up out of a bowl, hit a button with your thumb, and squirt milk into the bowl of the spoon even as you are introducing it into your mouth. Ideally one wants the bone-dry cereal nuggets and the cryogenic milk to enter the mouth with minimal contact and for the entire reaction between them to take place in the mouth. The giant heaping bowl of sodden cereal, awash in milk, is the mark of the novice. World-class cereal-eating is a dance of fine compromises. Tiny fragments spall away from their corners and ricochet around on the white porcelain surface. The gold nuggets of Cap’n Crunch pelt the bottom of the bowl with a sound like glass rods being snapped in half. Removal of the somewhat milky plastic barrier causes the individual nuggets of Cap’n Crunch to resolve, under the halogen light, with a kind of preternatural crispness and definition that makes the roof of Randy’s mouth glow and throb in trepidation. Randy rotates the box ninety degrees and holds it between his knees so its long axis is pointed at the television set, then grips the top of the sac and carefully parts its heat-sealed seam, which purrs as it gives way. The halogen down-light recessed in the ceiling shines through the cloudy material of the sac to reveal gold-everywhere the glint of gold. The lower flap is merely tacked down with a couple of small glue-spots and Randy pulls it back to reveal a translucent, inflated sac. Randy hates it when the box-top gets bent or, worst of all possible worlds, torn. But then the entire flap pops open in an instant as the entire glue-front gives way. For a few long, tense moments, nothing at all happens, and an ignorant or impatient observer might suppose that Randy is getting nowhere. Using both hands in unison he carefully works his fingertips underneath the flap, trying to achieve equal pressure on each side, paying special attention to places where too much glue was laid down by the gluing-machine. Randy takes the red box and holds it securely between his knees with the handy stay-closed tab pointing away from him. He has to wrap it in a towel because it is so cold it hurts his fingers. Today the milk is almost, but not quite, that cold. He would like the milk to be so cold that when he reaches in and grabs it, he feels the flexible, squishy pod stiffen between his fingers as ice crystals spring into existence, summoned out of nowhere simply by the disturbance of being squished. What Randy would like to see, ideally, is the whole milk-pod enveloped in an even, jacketlike flow to produce better heat exchange through the multilayered plastic-and-foil skin of the milk-pod. The cold air becomes visible as it rushes in and condenses moisture, so it is a simple matter to sit there with the fridge door open and observe its flow characteristics, like an engineer testing an experimental minivan in a River Rouge wind tunnel. Not too close, or else the pods will block the flow of air, and not too far away either. Randy always stores his milk-pods directly in front of those louvers. The fridge in Randy’s apartment has louvers in the back where the cold air is blown in, straight from the freon coils. UHT milk need not, technically, be refrigerated, but it is pivotal, in what is to follow, that the milk be only a few microdegrees above the point of freezing. He goes to the kitchen, opens the fridge, reaches deep into the back, and finds an unopened box-bag-pod-unit of UHT milk. He obtains a stack of paper napkins, not the brown recycled ones that can’t be moistened even by immersion in water, but the flagrantly environmentally unsound type, brilliant white and cotton-fluffy and desperately hygroscopic. He sets up his San Miguel, an empty bowl, an exceptionally large soup spoon-so large that most European cultures would identify it as a serving spoon and most Asian ones as a horticultural implement. Randy walks with a measured, forcibly calm step to the living room where he does most of his dining, usually while facing his thirty-six-inch television. You'll see your security info under Security settings. If you don't have access to your alternate email or phone number, choose I don't have any of these and follow the instructions to replace your security info. You may be asked to enter a verification code to continue. If you're not already signed in to your Microsoft account, you'll be prompted to sign in. On the Security basics page, select the Update info button. We’ll let you know when it's time to enter new security info. Your account is still open and active, and you can still use your email, Skype, OneDrive and devices as usual. During this time, we cannot accept further changes or additions to security settings or billing info. If you request removal of all security info in your account, the info doesn’t actually change for 30 days. If you do need to replace your security info, make sure you add new info first. someone else has access to your old mailbox). We guarantee an availability of 99.9% - please see the API server status page for real-time availability information.ĪPI requests will be typically answered within 750 milliseconds.You don't need to remove old security info unless there is an account security risk (e.g. Our Email Validation Online API is hosted at three different locations in Europe. You can use our Online Email Verification API to check up to 1000 email addresses for free - sign up for your free API key! Email Validator API FAQ Which availability do you guarantee for the Email Validator service? ' 215 - can be retried to update catch-all statusĮasy to install But it’s not necessarily a linear thing-maybe it’s a flashback or maybe it’s a flash-forward. So it is some kind of ending, and it’s hard to know where the story should go. King Gizzard blaze through a blistering hour and a half set at Webster Hall on March 31, 2017. Being the futuristic world that it is and connected to everything else, the vomit machine actually infects everything in the whole world, or whatever place that they’re in, and sets off a chain reaction that, in short, destroys the universe and the fabric of everything. He decides to plug his consciousness into this machine. Han-Tyumi, being the confused cyborg that he is, is kind of heartbroken and berserk, I guess. Yeah, “Murder of the Universe” ends chapter three, I mean Han-Tyumi creates a machine, which constantly vomits, and tells him that its existence is terrible. Where does the story continue after the universe is murdered, after the whole fabric that we come to understand has ended? Let’s do this kind of ’s challenging us, and it adds some sort of meaning into the worlds of our own personal universes that we all exist within. Sometimes making music your’e like, “Why the fuck am I doing this shit?” It’s amazingly fun and it’s a great lifestyle, but you kind of have to add some sort of meaning, as we all do, into our lives. All the concepts or ideas behind the records have just been jump-off points. I guess the only thing I can say is it’s stimulating…I don’t know what else to say beyond that. How do these processes affect you creatively? How does that play into form and structure of writing? You guys play around and have a lot of fun with form, beyond novelty. It’s kind of cool to exist both within it and outside of it. We all had somewhat cute, sheltered upbringings, and I’m not sure if that plays into it at all, but we’re all pretty fascinated with the modern world. Uh-huh, yeah, and we’re all country boys as well. I was born in 1990 and the other guys were born between ’88 and ’92, so we grew up with the internet and that sort of thing, but it wasn’t until we were older teenagers that it kind of became omnipresent.Īre you grateful that it didn’t become omnipresent during those younger, formative years? To filter all those milestones and wonder years through a box and a screen? Maybe we’re caught up in it, but it’s not deliberate. I don’t think we’re doing it to make some kind of political statement or anything, but we are children of this generation as well. Are you guys a remedy to that, with the universe building and the accelerated pace of output always asking us to slow down and spend time with the work? Listening to a record about apocalypse and technology suggests themes acceleration, that our pace of absorbing and consuming everything is speeding up at a rate we can’t keep up with. The only people I can think of with a similar work ethic to you guys are Neil Young, Ty Segall, and John Dwyer. “Let’s do this kind of ’s challenging us, and it adds some sort of meaning into the worlds of our own personal universes that we all exist within.” It might be a completely long-winded version of the story, but you’ve got me talking. Maybe…this album might be a bit of a puke. King Gizzard released the album with the suggestion that they had a total of five releases planned for this year alone, and yesterday, upon announcing their second release of 2017, Murder of the Universewould be released June 23 on ATO, devotees plundered the track list, divided into three chapters, for clues about what their vision of cataclysmic apocalypse sounds like. The band has thrown their own festival, Gizzfest, back in Melbourne for the last two years, giving a prominent stage to fellow Aussies like paisley groovers Orb and the hallucinogenic sisters of Victoria’s Stonefield, both of whom are currently traveling the States with The Gizz on the Flying Microtonal Banana tour.īanana comes to a climax on “Nuclear Fusion,” when frontman Stu Mackenzie sings that the devil’s in the details and his spirit leaves his body to fly through a world of radiation. Their community has grown exponentially in a remarkably short time. Among them, there’s the Spaghetti Western story unfolding on Eyes Like the Sky, the pummeling garage-psych headfuck of I’m In Your Mind Fuzz, the endless loop connecting the first and final notes of Nonagon Infinity, the AM-pop leaning, largely acoustic Paper Mâché Dream Balloon, and this year’s exercise in Eastern microtones, intervals and notes that Western musical notation doesn’t consider called Flying Microtonal Banana. Over just five years, King Gizzard have released nine albums of adjunct, wholly realized visions for adventurous ears. The game also doesn’t have cross-progressions, making it impossible for players to carry their progress to different platforms. The absence of cross-platform/crossplay means players from different platforms won’t be able to play with each other. The game supports cross-generation co-op play, however, allowing players playing from the same family of consoles to play together. Will Dying Light 2 have cross-platform/crossplay? Image via Techlandĭespite featuring a co-op mode, Dying Light 2 won’t have cross-platform/crossplay during its launch, lead game designer Simon Smektala confirmed in an interview with MP1st. With around 500 hours of gameplay to do everything you can in the game, you may need a friend by your side to have more fun and have a smoother experience while playing Dying Light 2.Ĭonsidering Dying Light 2 will be available on PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, PC, and Nintendo Switch later on in the year, it’s only natural for players to wonder whether they’ll be able to enjoy the game with their buddies playing from other platforms. It’s an entertaining game that gets better the more you play it.Dying Light 2 is set to release on Feb. You can also talk to NPCs, take their quests (or do your own thing), figure out what’s going on, and have a lot of fun as you go. You can also use the items you’ve found to make kits and weapons. Here, the RPG part of the game takes over, as your character gets stronger and faster as you unlock new skills. As you wander and search the environment, you can open different parkour maneuvers and combat abilities. It is stimulating, absorbing, and also rewarding. Moreover, this game features a larger map than the initial version, so you can take your time to explore it and make it through the zombie-filled world. You’ll face all kinds of adversaries ranging from the undead to mobs and crazed rebels. This is usually enough to keep you engaged, yet the combat is what the game shines in. To give two concrete examples, those who own a PlayStation 4 can team up with those who have a PlayStation 5, and those who own an Xbox One can compete with those who own an Xbox Series S|X.Īlso read: Is It Takes Two Cross-Platform In 2022?Īs a parkour enthusiast, you’ll be able to take advantage of various talents, such as scaling walls, leaping from one building to another, and even using paragliding and grappling hooks at a later stage in the game. However, the game supports cross-gen play, so you and a friend can compete against each other even if you’re using different generations of the same console. This means you’ll have to let go of the idea of teaming up with your gaming buddies from other platforms to experience the thrills of the zombie apocalypse together in this game. This game is available on a wide variety of platforms, but it does not support crossplay. We regret to inform you that the answer is no. The following platforms are supported by Dying Light 2:Īlso read: Is Xenoverse 2 Cross-Pltaform? Does Dying Light 2 Have Crossplay? So long as your hardware satisfies the requirements, you should be able to play this game regardless of what you own. It functions on PC and all popular platforms. Playable on various platforms, Dying Light 2 is fully cross-platform. You may be wondering, though, if Dying Light 2 supports cross-platform play and if it includes a crossplay mode. You and up to two other friends can team up in this game’s multiplayer co-op mode. It will undoubtedly be one of 2022’s most anticipated sporting events. The addition of parkour abilities has revolutionized the zombie survival genre. Read on to learn if Dying Light 2 is cross-platform and has a crossplay feature.ĭying Light 2 takes place 22 years after the first game and depicts a world gone mad due to a viral outbreak. New to GRID 2 are "LiveRoutes" through the city locations, in which the route changes during the race by opening or closing barriers at selected junctions, so that two laps are not the same.ĭownloadable Content Main article: GRID 2/Downloadable ContentĬodemasters released various downloadable content packs for GRID 2 throughout 2013.They’re smooth, responsive, and honestly never gave me much trouble. Additional tracks would be offered as downloadable content. Both day and night races are available to experience. They can also personalise the style of wheels and select up to 6 sponsor decals.Ī wide range of worldwide-based tracks in featured, such as the streets of Chicago, the mountain roads of Okutama, or the circuit of Brands Hatch. Players can customise the appearance of their vehicles by choosing from a variety of paint patterns, colours, race number, and finishes. Additional vehicles would me made available in downloadable content packs. During online, new cars can be unlocked upon reaching higher levels. The car that was not chosen, as well as other new cars can be earned upon beating Vehicle Challenges. Throughout the World Series of Racing seasons, the player's investor will reward new cars at key milestones in the career with choices between two cars. Multiplayer also features Quick Flashbacks, allowing to reset the car at speed on the track. The availability of flashbacks is determined by the chosen difficulty or is customisable in custom events. Replays works only in the singleplayer modes of the game.Ī rewind feature can be used to revert back to a chosen moment if things go wrong during a race. The game also features fully-integrated support for YouTube that enables to capture replay moments and share them online. Players can view a cinematic replay of their race once it has ended. In particularly bad crashes damage may be terminal. Players experience realistic handling effects as a result of vehicle damage. Players can play with friends and other GRID 2 fans online via the Online menu. Online Multiplayer Main article: GRID 2/Online Multiplayer In GRID 2 players are responsible for transforming a new racing league - the World Series of Racing - from its "grass-roots" into a global phenomenon, being its star driver. These were tweaked accordingly, with all effort made to preserve the character of the car.Ĭareer Main article: GRID 2/World Series of Racing Once those results were compiled, they went and examined if any of the vehicles had any sort of "game-blocking" attribute, such that would make the car much less likely to be race worthy. This was in effort to duplicate as precisely as possible the character of each vehicle, so that players would actually feel they were driving, for instance, a Nissan GT-R Spec, rather than some dumbed down computer model. Detailed notes and measures were taken about each type of vehicle, including speed, maneuverability, cornering, turning, etc. To accomplish the marriage of physics and gameplay, Codemasters used professional drivers on real-life courses. The biggest component of this is their introduction of the "TrueFeel Handling System", a core feature that promises to combine true-to-life physics with each individual type of car. Codemasters pushed the boundaries with Race Driver: GRID, continuing to do so with the newest incarnation.
Look, poetry is subjective, to some degree. We know that from the first and second stanzas. The roads were the same. In fact, that road that I took, it wasn’t any less traveled by than the first. “I shall be telling this with a sigh, Somewhere ages and ages hence” means someday, down the road, when I’m old and telling stories about my past, I’ll sigh and say that I took the road less traveled by and that’s what “made all the difference” in how my life turned out.īut we, the readers, know that it wasn’t taking that road that made the difference. We tell stories and revise our memories as if decisions were made differently than they really were. It talks about how we rewrite our own histories. This is the most telling stanza of the poem. Stanza 4:Īnd that has made all the difference. It’s complex, this thought, because I want to pretend and kind of lie to myself (in the way that we do) that I’m not really giving up an opportunity, but rather just saving it for another time, even though I really know that time may never come. And “Oh, I kept the first for another day,” means that I, the traveler, decided to leave the other path to take another day- but it’s a little sarcastic, that line, because “I doubted if I should ever come back.” So even though I’ll probably never be back this way, I’ll pretend to myself that I’ll take that other path another day. See? They both “equally lay” with very few leaves that had been “trodden black.” That means that neither road was very well-traveled, really. “Though as for that the passing there, Had worn them really about the same,” tells the reader that the two roads are really just about the same. They’ve both been traveled equally. And this one is “grassy and wanted wear,” so at first the reader thinks it’s maybe been traveled less than the other one, right? But no. “Took the other, as just as fair” means that this road that I took is just as nice as the other one. Had worn them really about the same, What It Means: I look as far as I can down one of the roads, but I can’t see past a certain point, so I really don’t know what lies ahead. So here I am, a lone traveler, standing at a crossroads. To where it bent in the undergrowth What It Means: The Breakdown Stanza 1: I encounter two roads |